The Author is Listening

Here’s an interesting question:  How would you change your review if you knew the author was reading it, and very likely to respond to it?  Even terrible books often get good reviews, something I cynically attribute to the fact that the literary world is so small.  There’s been interesting discussion around this topic before, in the fact that unsigned Kirkus Reviews tend to be harsher than the signed reviews in Library Journal.

Shortly after I posted the previous bit about Quiet, Please, I got an email from the author.  I had planned to write an eviscerating analysis of the book, but receiving that email took the wind out of my sails.  It probably says more about me than anything else–that I prefer to rant in monologue form, rather than dialogue.

What do you think?  Could you be completely honest in this situation?  What if a colleague you saw regularly wrote a book and you thought it was terrible and were asked to review it?  What if other libraries were making their purchasing decisions based on what you wrote?  Would it be different if you were writing the review anonymously?  (CJ)

How Do You Pronounce . . .

Therese came up with a great idea for a posting–pronouncing tricky author’s names.  She mentioned a couple to start with:  John Lescroart, which is unexpectedly pronounced “less-qwah”, and Jodi Picoult, pronounced ‘Pee-KOE’, like the tea – per her website.  My favorite author name pronunciation mnemonic is for Jon Scieszka–it rhymes with “Fresca”!

If you’re looking for author pronunciations straight from the author themself, check out Teachingbooks.net Author Pronunciation Guide.  It’s a compilation of authors introducing themselves, and pronouncing their names.

Any names in particular that stump you, or that you hesitate every time you have to say them to a patron?  (Carol J.)